Photos by Mark Moreau
Production National Centre for Circus Arts, London
Lea presents Flick, -4 reconstructions of works by 20th century choreographer Flick Colby as part of the Laban BA3 end of year performance programme.
These reconstructions are part of an extended research project, –Pan’s People Paper– by Lea Anderson and film maker Marisa Zanotti.
Music composed by Steve Blake.
Performances: Thursday 25th, Friday 26th July at the Bonnie Bird Theatre, Laban, Creekside, Londeon SE8 3DZ, 020 8305 9300
Peck Peck is a new work at The National Centre for Circus Arts, performed by 2nd year circus students
Alfred Hitchcock’s film The Birds ( Attic Scene) is used as a score for a circus show.
Choreography by Lea Anderson
Music by Steve Blake
Design by Simon Vincenzi
Lighting Design by Chahine Yavroyan
Performances:
Wednesday 1st, Thursday 2nd, Friday 3rd July and Saturday 4th July 2015
National Centre for Circus Arts
Coronet Street
London N1 6HD
https://www.nationalcircus.org.uk/020 7613 414
(Art work by Simon Vincenzi)
Performances of new works by Lea, –Edits #2 and Edits #3 (Hidden Choreographies), will be performed at the Kaufman Theater, UCLA Campus, Los Angeles at 8pm on the 11th and 12th December 2014.
This work is the result of Lea’s time at UCLA as Regents’ Professor, and is a collaboration between the departments of World Art and Culture/Dance and Theater.
Two versions of one process will be shown. Two groups of performers and designers have created the work, resulting in two very different takes on misreading a film for a dance score.
Quick Change is an innovative, cross-form, experimental project that will challenge and change the way costume for performance is displayed and exhibited. It is presented in partnership with The Victoria and Albert Museum London and UCLA. It is produced by Arts Agenda and will take place in September/October 2016. It will feature selections of costumes from The Cholmondeleys and The Featherstonehaughs archives, and will feature work by Sandy Powell, Simon Vincenzi, Emma Fryer and many others. The costumes will be worn by dancers performing fragments of the original choreography.
The project has very strong implications for curatorial practices and for thinking about costuming in new ways. More generally, it rethinks how museums collect and what they collect, and how the body and performance are part of that process.
The project comprises exhibition, performance, catalogue and online digital archive.
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